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Instead, they add a damper to the entire project, such that exhaustion sets in and makes even the humorous tracks harder to enjoy once they arrive. Moreover, even if Lil Dicky’s more “real hip hop” songs that fill the space in between had been good, the album would have suffered for trying to be two albums at once, uncommitted in its tone and style.
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Lil Dicky’s more legitimate efforts are competent, but their unfocused themes don’t cater to his white suburban audience he seemingly intends to capture, their production sounds exactly like you’d find on any other modern hip hop album, and their comedic flair lacks the nuance and depth of contemporaries like Action Bronson and Das Racist. Given this goal, how many casual fans could really be expected to make it through this hour-and-a-half long behemoth? Most people who give Professional Rapper a listen will be Redditors who liked the “Classic Male Pregame” video and want a few more laughs, but in order to find them, they’ll have to wade through an equal amount of “serious rap” to get to it. But here he makes the rookie mistake of telling instead of showing – while he had the opportunity to pull of this impressive feat and to surprise both fans and haters with his potential, he’s instead set a bar for himself that he may not be able to hit. So states David Burd, aka Lil Dicky, on the title track of his Kickstarter-funded debut album, Professional Rapper. It’s a legitimate strategy in some ways at this point Lil Dicky has gotten far more attention as a comedian among non-rap fans than as a rapper among hardcore hip hop heads, so he has the platform to change the minds of the proverbial player haters. “Well, I wanna be the dude that came in and made the stand up rap / With the random rap and the man like that for the people that was anti-rap / Yet, the fans of rap started recognizing anti-rap is ironically one of the real brands of rap left.”